Tag Archives: Metropolitan Museum of Art

On Washington Crossing the Delaware

Not today, though,
in the Metropolitan Museum of Art,
not today he isn’t.

The entrance to the room
is barricaded with plywood permitting
only a partial glimpse

of the General: upstanding, unfazed
by the turbulent ice floes,
unwavering gaze fixed on, well,

plywood. The impeccable turnout,
in democratically dun-coloured mantle
(lined with scarlet),

thrown in dramatic folds
over shoulders bearing the weight
of a nascent nation –

all for nothing today. He shall not
reach the far shore, shall not
trounce the Hessian mercenaries;

and this great nation shall never,
now, be birthed – and not
just this room, no, the entire museum,

Fifth Avenue, all of Manhattan
declared closed
for the duration; New York roped off,

the Empire State Building un-built,
stone by stone, steel girders
dismantled, the Brooklyn Bridge

melted down and Brooklyn cut loose
to drift out to sea.
By and by the prairie schooners

will return from the West (California
now only a word
whispered in feverish dreams

and no more), and from a non-place
not called Washington,
in a porticoed, pillared white house

that never was, a last tweet proclaims
the fading usurper’s futile fury –
then silence. Peace.

Washington Crossing the Delaware


John Brown in the Met

The Old Testament beard blows
in the gale of a mighty shout;
the hair on his head raised
by the sheer force of fury; eyes
rolling under the promontory
of a frowning brow; brawny arms
outstretched in righteousness
burst the confines of the canvas –

This John Brown is anything but
a-mouldering in the grave.

This giant is girded with pistol
and sword; this prophet’s rage
raises tornados; this patriarch
dwarfs all who come near –
the settler unaware of the storm
bearing down on his wagon;
the cowering negro looking up
to the saviour that towers above him.

John Brown in the Met

This John Brown is a soldier
in the Army of the Lord indeed,

and that his soul goes marching on,
of this the artist allows no doubt.
But that is not the question.
The question is whether
the voice of the black man
for whom this storm was raised
can be heard over the giant’s shouting –
if he can ever make himself understood

over the endless deafening chorus of
Glory, glory, hallelujah, Glory, glory hallelujah …